Each song's eq might seem best by itself, however if you sequence them together, unexpectedly one song sounds too intense (or too dull ...). Suggestion # 1: keep in mind that any eq modifications to your stereo mix affect the entire mix - if you want to cut 3 db at 80Hz due to the fact that your mix sounds muddy, remember to examine how that affects all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: In mastering, this is utilized not just to manage a mix or to add character, however also to "print" or send out as much level to the master as possible without clipping the signal.
Spacing & Crossfading.
Spacing: there are different philosophies as to how one should approach the areas put in between songs on a record. Some feel the downbeat of one song should fall at the start of a brand-new bar, in the pace of the previous song (to continue the circulation.) Others think you need to avoid this like the pester, since it lessens the impact. In the end, do whatever feels. There is no standard. Cross-fade your tunes if you like, or place 6 seconds between them. (2-4 seconds prevails in most popular, non-classical records, but it depends on you.) Final idea: you may be inclined to master the exact same recordings that you mixed, whether it is for financial factors, creative factors, or merely since you can. However we strongly suggest that you get someone else to master your job. The objectivity and fresh ears they give the table invariably result in a more powerful, more cohesive album.
Common locations of concern for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one song to the next, and spacing in between tunes. Or you may have ten tunes blended by three different engineers in 5 various studios.
Each song's eq may appear best by itself, but if you sequence them together, all of a sudden one tune sounds too brilliant (or too dull ...). Pointer # 1: remember that any eq changes to your stereo mix affect the whole mix - if you desire to cut 3 db at 80Hz because your mix sounds muddy, remember to check how that affects all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: Free Type Instrumentals Trap In mastering, this is utilized not simply to manage a mix or to include character, however also to "print" or send out as much level to the master as possible without clipping the signal.
